Thanks @uburoibob - Will look into those apps!.
Wrt the standard hearing aid correction … My limited understanding is that - rather than correct/reverse the audiogram to ‘flat’ - which I intuitively would have thought is ideal - they tend to relatively exaggerate/amplify the relevant speech frequencies because of the primary need to increase speech intelligibility for people who - as a result of long standing hearing loss - no longer have the same/adequate cortical speech decoding to deal with normal/flat audiogram… I don’t know if the same issues with cortical ‘atrophy’ affect music appreciation in the same or a similar way. However - I am very happy to be corrected!
At least I think the standard NAL-NL2 prescription appears to be skewed this way if I read the authors correctly. Of course I gather many HA manufacturers have proprietary prescriptions as an alternative to the NAL as well but I have no idea how they differ. Their “music” programmes are also somewhat obscure to me in that I don’t really know if they do anything to the fundamental underlying prescription - rather they seem to remove feedback protection (to varying degrees) microphone directionality, noise cancellation, reduce compression etc…
What the corrective hearing prescription does to MUSIC appreciation seems extremely difficult to assess because it is so subjective - with speech you have a reasonably objective endpoint - intelligibility - with music - not so much
The route you have taken with using equalisation (without HAs) when mastering tracks, intuitively seems ‘correct’ to me and I wonder if I can get that sort of equalisation/prescription to correct my hearing loss to ‘flat’ in a separate HA program for music listening and performance…