An interesting reply, Sierra.
With your post, and the other discussing directionality, it does make me wonder what the impact is of those rear speakers. It raises the possibility that by having the programming accentuate the dialogue coming from the front, I might lose some of the immersive effect coming from the sides and rear (and above, from the Atmos speakers).
The Marantz AVR I have does included what’s called 'Audyssey XT 32" where you plug in their microphone, and it adjusts timing, frequency response, etc., to at least theoretically optimize its performance for one’s particular room, and should address the valid concerns about this you mention in your post.
But as you point out, the basic room acoustics and reflectivity can be an issue beyond this, and many opt for a wide variety of room treatments to better control these factors.
And if by “real ear measurements” you mean having the Audiologist do a kind of audiogram with the hearing aids in my ear, to test out ‘real-world’ performance, rather than just in the isolation box without the hearing aids, then yes, this is something that he did. If I remember right, this is called ‘Sonogram’ in the Compass software.
He is a good guy, and an experienced Audiologist, and I am reasonably confident that he is doing a good job. My desire for DIY tweaking is not from thinking it’s something he can’t or won’t do, but more that there is just no practical way in an office setting to play around with a variety of settings, nor assess their real-world impact in my home environment.
Can you elaborate on what you mean by “different fitting formula”?
Thanks again.