if it isnât used. Or if the education is impractical.
For instance, are audiologists trained to adjust a digital hearing aid from scratch? Are they actually taught, for instance what a compressor / expander is, and how to adjust one for the most natural sound? Again, for instance, do they know the effect that EQ band overlap and crosstalk has on the overall sound? Are they trained in school to use the software for the makes of aids they plan to sell? Do the hearing aid makers actually come to the schools and teach the students how to use the software, and I mean thoroughly, so that the future audi, when they hit the real world, arenât using their patients as learning tools? Do hearing aid makers certify dispensers by testing them on their ability to use the software? And by that I mean doing something like sending a ringer into the office to see if the audi can really do the job? (Like Ford motor company does when it trains & tests its mechanics). Are they required to have a REM hearing aid tester in their office, so they can test and view in real time, what is actually happening with the aid when it is in the ear? (I have been to maybe 12 dispensersâ offices over the years, and only one of them had it.) Are they trained to use it? Do they have, in office, sound amplification gear of sufficient quality and amplification level to reproduce real world sounds in the office? If a Hearing aid wearer come into the office and complains about âScreechyâ, how quick can the audiologist find out what is actually meant by âScreechyâ and make the proper adjustment? and most important of all, can they adjust the aids for the most normal, best fidelity, in as few follow up visits as possible?
These are just a few questions a HOH person should be asking before they buy a hearing aid - in sum, how well do they know the HA software, and do they have the gear to test the aids, and how good are they at adjusting the particular brand and model of digital hearing aids they are selling to you? The answers will be the ones that most impact the hearing aid wearer. Iâm sorry to offend, but, as many of us who went to college know, a degree does not always provide you with the practical skills needed when you get out in the world. The most knowledgeable and effective HA dispenser I met was not an audiologist by training. He was a former (very good) recording studio engineer/ producer.
PS to Ed:
Pure tone tests do not work in the real world. I have a severe to profound loss myself, and I have been in digital audio since its inception, and have been adjusting my own aids for years. (And I will say right now, this is not something for the faint of heart)
Any good audio engineer will tell you that a pure tone test is merely a beginning. A pink noise is much better, but still, it isnât the real thing. In a recording studio, pink noise is used to measure and adjust via a 31+ band EQ, the acoustical response of the control room - been there, done that, and still it will miss things that happen when a bass frequency interferes (usually by creation of a standing wave in the room, in an aid, occlusion) with a particular treble sound. Hearing aids do not have enough EQ bands, must important, a lack of bands in the sub -750 range, and likewise, few bands of compression / expansion (usually set with glacial release time), especially in to low range. And aids must be adjusted with ALL of the sound processing OFF- they noise reducers, anti feedbacker, the mute your noisy neighbor filter, etc. Complex real world sounds have to be used to set an aid. And even then, since it is near impossible to do this is a real setting, one must take into account the sound playback system (speakers and amp), and room acoustics, in addition to the volume levels.